Core Nano

QSC · Processing

Ceiling microphones, a separate camera and a display have to behave as one room. This is the processor that makes them.

A QSC network I/O processor for rooms that need real audio processing, echo cancellation and control logic — without a rack full of single-purpose hardware. Everything arrives and leaves over the network, so the room grows by adding endpoints rather than rewiring.

Why we recommend it

64 x 64 networked channels

Q-LAN and AES67 audio across the room or the building. Dante is supported to 32 x 32, with 8 x 8 included.

Eight AEC processors

Acoustic echo cancellation per zone, which is what makes a large or divisible room sound like a small one on the far end.

Control as well as audio

Audio, video and control in one platform, so the display, camera, lights and shades answer to the same logic.

Right-sized

A half-width 1U unit for meeting rooms and classrooms, rather than a full processor sized for an arena.

Specifications

Networked audio64 x 64 (Q-LAN / AES67)
Dante8 x 8 included, to 32 x 32
AEC8 processors
VoIPUp to 2 instances
WAN / media stream channels12 x 12
Network peripheralsUp to 32
Recording4 ch record / 16 ch playback
Media driveAbout 16 GB
USB audio bridging8 x 8, 16-bit, 48 kHz
USB device hostingOne USB headset or speakerphone (USB-A)
RS-2322 ports
Network portsDual gigabit, assignable to VoIP, control, audio or redundancy
Analog I/ONone - networked endpoints
Power supplyInternal
Power consumption40 W typical
Heat load110 BTU/hr
Operating temperature0 - 50 °C
Humidity5 - 85% RH, non-condensing
Form factor1U half-width
Dimensions (L x W x H)11.3 x 8.7 x 1.7 in (286.5 x 220 x 43.7 mm)
Weight3.6 lb (1.6 kg)
ComplianceUL and C-UL, FCC Part 68, CE, RoHS and others
ManagementQ-SYS Reflect

What it works with

For checking fit before you specify. Every figure below is taken from the published specification of the product named.

The first question is whether anything in the room is analog

The published analog I/O on this Core is none — the specification lists networked endpoints in its place. A room with a legacy wireless microphone receiver, a program-audio feed off a PC line output, or a contact closure driving a screen has nothing on this box to land on. Core 8 Flex is the same processor with that problem solved: 8 analog Flex channels on board, 8 x 8 GPIO and 2 x RS-232, with +48 VDC phantom at 10 mA per input and converters at 24-bit, 48 kHz. Both publish 64 x 64 Q-LAN / AES67, 8 AEC processors, up to 2 VoIP instances, 12 x 12 WAN channels and up to 32 network peripherals — so the choice between them is the analog question and almost nothing else. This Core does publish 2 RS-232 ports of its own.

Thirty-two peripherals is a budget, and a real room spends it

Every networked endpoint counts against the published ceiling of 32. In a typical build that is the microphones, the loudspeakers, the camera, the touch controller and the amplifier if there is one: four NM-T1 table microphones, eight NL-C4 ceiling loudspeakers, an NC-110 camera and a TSC-101 touch controller is fourteen of them before anything is added. Count the schedule against 32 at design time, not at commissioning.

The Core does not power the endpoints — the switch does

Its published network specification is two gigabit ports, assignable to VoIP, control, audio or redundancy. No PoE output appears there, so the power budget belongs to the switch — and the endpoints do not all ask for the same class. The NM-T1 publishes PoE Type 1 Class 2, under 6.5 W. The NL-C4 publishes PoE+ Type 2 Class 4; the NL-P4 pendant publishes Class 4 on either type, rated 12 W on PoE and 24 W on PoE+. The TSC-101 publishes PoE+ Class 4 on a single gigabit RJ45. Cabling for the loudspeakers is Cat5e or better.

Whether an amplifier is in the design at all

If the loudspeakers are NL Series there is no amplifier: the NL-C4 and NL-P4 each take one Cat5e run and carry their own amplification over PoE. Where passive speakers are already in the ceiling, or the consultant has specified them, the CX-Q 2K4 comes back into the design — and it is itself one of the 32 peripherals, native to Q-LAN for transport, control and monitoring.

Dante is 8 x 8 before anyone takes it to 32 x 32

The published figure is 8 x 8 included, to 32 x 32. If the room has to meet an existing Dante estate at more than eight channels each way, that uplift is a line item, and it is worth settling while the design is open rather than on site.

Echo cancellation is per zone, and a divisible room spends more of it

Eight AEC processors are published. A single room uses one. A room that divides into two or three, or one with separate far-end zones, uses one each — which is the reason the figure is on the datasheet at all.

The softcodec path, the USB limits, and the rack

USB audio bridging is 8 x 8 at 16-bit, 48 kHz. USB device hosting is one USB headset or speakerphone on USB-A — one, not a hub of them. Recording is 4 channels in and 16 channels out against a media drive of about 16 GB. The unit is 1U half-width at 11.3 x 8.7 x 1.7 in (286.5 x 220 x 43.7 mm) and 3.6 lb, so two sit side by side in a single rack unit; published draw is 40 W typical and 110 BTU/hr on an internal supply, rated 0 - 50 °C and 5 - 85% RH non-condensing. Management is Q-SYS Reflect, whose basic tier is published at no cost for one location.

Which of these decides the box depends on what the room already has in it. See the rooms we build.

Send us a floor plan and we will size the processing, or see what connects to it.